A study in self-reference After Diego Velázquez

The painting is in the painting.

Paint a smaller room inside this one. Repeat, then hang the mirror to make the room repeat itself.

Fixed-point combinators

It needs its own name.
Give it a mirror.

In the lambda calculus nothing has a name, so a function cannot call itself. It can only be handed things. Hand it a copy of itself and it can recurse once. Hand it a copy of the copy and it can recurse twice. That is Velázquez’s problem exactly: the picture holds the room, the room holds the picture, and somebody has to paint every level by hand.

The Y combinator is the mirror. : it hands to itself as deep as the argument needs, without a single name. is a fixed point of , a value returns unchanged, which is why the painting of the painting is the painting.

You already trust fixed points. A layout engine iterates until nothing moves. A type checker widens until the types stop changing. A build is done when running it again changes nothing. The startup accelerator borrowed the name for the shape of the idea: a program that runs programs.

If you stepped into the mirror, that was your browser’s own camera. The picture never left this page.

Diego Velázquez’s Las Meninas: the Infanta Margarita stands in a tall dim room with her maids, a dog and a dwarf, while the painter looks out from behind a huge canvas and a small mirror on the back wall reflects the King and Queen.
Diego Velázquez, Las Meninas, 1656. The painter looks at you. The mirror shows whoever stands where you stand.Museo del Prado